Sunday, December 2, 2012






fall homecoming...

familiar flowers are lounging 
limp under pre-winter rain 
wrists of smug pansies are seething 
as stewed parts beneath soil soaked stains 

yards burp with slug 'ish cadavers 
from all that past summer grew 
the autumn has fallen upon them 
iced them with jubilant dew

he moves from the comfort of homesteads
into the wilder environs
toward the site of his breeding
where  chains from his youth once confined 

he smiles at the sun and its grimace
as it peeks then is shut from the sky
quenching the quick dying rainbow
that tried to pull tears from his eyes

still seasons rejoice in the changing 
of vertical stems and wrent leaves 
he wanders through fields that have spent him 
as he stoops, conquers, horizontally grieves



jubilant ejaculate


She sprayed in his face and told him that the pomegranate seed is an explosion of the goddesses. He laughed and told her it was just weight and density - viscosity, that sort of thing. She pouted and accused him of making fun of her. He pulled her softly toward him and whispered “no, I am laughing with happiness at the jubilance of metaphor and how you use it. It’s beautiful, and so are you.” And then she made fun of his choice of words and said he talked like a poem and thought like an academic treatise  - then buried her head in his crotch and kissed him there. 

As her kisses began to broaden and multiply he thought of her romantic way of attributing everything to the goddesses and wondered why she couldn’t see that her words were so often like poems as well. By the time he ejaculated into that beautiful hollow at the base of her neck she was becoming drowsy and the sensation of his cum hitting her softly didn’t seem to cause her to stir in the least as she fell slowly into sleep. So he gently placed her head on the pillow and went into the bathroom to dampen a face cloth with warm water, and then went back to the bed to wipe her throat. She was gone. In his experience, Angels who slept with primarily gay men were like that - they come and go.

Monday, October 15, 2012

GOODBYE





Goodbye - Kamloops 2006
(previously published in West Coast Line, sometime in the not so distant past)


When I go away for the weekend I say goodbye to all of my possessions. This past weekend the first thing I remember  saying goodbye to was my Tinkerbell beach towel hanging in the bathroom. I bought it at the Disney Store in the Eaton’s Centre in Toronto last summer. I have an apartment very close to the Centre and sometimes, when I am feeling weary and disillusioned and I need a quick fix, I wander over to the Disney Store and just gaze at all of the animated characters. They comfort me.






A friend once said, “one of the nicest things about being a gay man is that you can buy things for yourself that were meant for teenage girls.”

Filled with so much uncomplicated life and colour, my favorite Disney characters are Tinkerbell and Pluto. I had a Tinkerbell china figurine for a few years but it was broken during a move. Her wings fell off. Years ago that sort of thing would have bothered me a great deal. My grandmother once sat and wept as she glued a broken lamp back together. I have inherited my strange love for objects from her.

I still have my apartment near the Disney Store but I've sublet. Now I live in the interior of B.C. now have moved so many times over the years that I am used to material and emotional loss and even welcome it on occasion. It can be cathartic. Like a good laxative.

I gave Tink a lovely burial and now I am fortunate to have her in unbreakable beach towel form adding life and colour to my bathroom and giving me great comfort every time I step out of the shower to greet a new day.

Don’t get me wrong, I don’t wander around the house an hour before departing saying goodbye to each and every possession I own. I make a general farewell to each room and its contents, and if an individual item takes my eye I look at it, smile, and say, “Goodbye sweetheart. See you soon.”

I never say goodbye to the things I store in the basement. Unless I am doing a laundry and am down there just before the airport shuttle arrives. I do have a child mannequin standing on a work table beside the washer and dryer that I used in one of my performances. I never say goodbye to the mannequin, but I often wish her love and worry about her future in such a troubled world and re-assure her silently, in my heart, that we will be on stage together again one day soon.

Her name is Trouble and she plays the son of Cio-Cio San and Pinkerton in my one-man comic response to Puccini’s Madama Butterfly. Pinkerton is played by a seven foot fluorescent skeleton that I bought in a Shopper’s Drug Mart at Halloween in Vancouver a year ago. He has been broken into many pieces from being moved across the country so many times. I store him in a bicycle box. I have no recollection of ever having felt the need to say goodbye to him.

Some people find all of this very odd.

Someone asked me recently, during a dinner party, what I had been traumatized by as a child, and why I insisted upon reiterating it in dark comic form in my work, and why I wasn’t over it even in middle age. I looked at them, remaining calm and sipping from a large glass of imported ice wine I had bought at the airport, duty free. I said, quite dryly, “I think it’s fair to say that people who embark upon – as teenagers - a thirteen year affair with their mother’s brother-in-law do not always come out of it refreshed and ready to party.”

And then I lifted my glass and pledged a toast. “Here’s to trauma. A loyal muse and a constant friend.”

How all of this relates to saying goodbye to inanimate objects before going away for the weekend may not be immediately obvious, but I think it will begin to come clear over the course of the next few pages. And if at this point you are feeling a little disturbed, bored, and unwilling to accompany me on the rest of my journey then just close your eyes and think of Minnie Mouse. She is also one of my favorites and I think that if you give her a chance she may be able to comfort you as well.

*




When my mother and I went to Disney World in Orlando in 1977, just a few months after my father was killed in a dreadful car accident, I bought two lovely china figurines of Minnie Mouse and Mickey Mouse snow skiing. The tip of one of their ski poles broke during a move but I glued it back on and still have them. When Tinkerbell lost her wings in a terrible crash the idea of gluing them back on seemed like such a sad, queer cliche, so I just wrapped her in tissue, sang her a farewell ditty, and tossed her into the garbage chute in my apartment corridor. Like material and emotional loss, I also find garbage chutes very cathartic – much more satisfying than lugging throwaways to a yard sale or crunching them into garbage bags and carting them out to the end of the driveway for pickup.  But I am grateful to have saved Minnie and Mickey from the tempting clutch of my own form of middle class catharsis. The break in the tiny ski pole occurred near a join at the wrist of one of their china mittens so you can barely see the fault line, and they just look so sweet in their matching red and powder blue outfits and their precious little skis and toques and boots.

I gave M. & M. to my niece when she was a baby but took them back when she was transferred, at age five, from her family home in Calgary to a nearby group home for severely mentally and physically challenged children. She is 28 now and has never really functioned in any way that any of us who love her can identify as something we feel is cognizant of the things that surround her.  At twenty-three they expected her to go blind. I haven’t had the heart to ask if that has happened, and given her circumstances, I am not certain that the knowledge is something I need to possess. I see her once a year when I am in Calgary and I bring her fancy discount t-shirts and chat away to her in the only way I know how – incessantly.

I am trying to be politically correct as I describe the mental and physical state of my niece. Her name is Amy and I hope that I haven’t failed her. I did replace the Disney figurines with a lovely little teddy bear dressed in a miniature white lace frock with powder blue ribbon trimming the hem. I sewed it myself and always feel such love whenever I visit Amy and see that little bear at her bedside.

I have just had an epiphany about Minnie and Mickey skiing as I write this. The car accident that took my father’s life occurred on an icy road on the way home from skiing at a small resort by the name of Devil’s Elbow near Peterborough Ontario – my birthplace and home for the first 20 years of my life. There seems to have been some concern over the years that my father may have been drinking before he left to pick me up at the resort. The car accident was 29 years ago and only now does it occur to me that subconsciously I must have been searching all over Disney World for a comforting memory of skiing in order to cushion the traumatic blow of having lost my father at twenty years of age after a pleasant day participating in a much loved winter sport. The possibility that he may have been drinking was only brought to my attention 12 years after the crash. I recently called a cousin whose son was in the car with us and suffered a minor eye injury. His vision wasn't affected. She said she would have smelled liquor on my father’s breath in intensive care had he been intoxicated, and she added that she had always thought he was a very sweet man. As I approach fifty, and frequently experience mild emotional trauma regarding past tragedies, I find the memories and perceptions of others somewhat comforting.

*

I have had people express to me, in no uncertain terms, that they feel it was wrong of me to take back the gift I had given my niece. Some of them have even called me an ‘Indian Giver.’ Not only do I find their remark racist, I also feel that it is insensitive and unkind under the circumstances. My brother once called me an ‘Indian Giver’ when I asked him if I could have some of the LPs back that I had given him a few years before. One of them included a recording by Canadian sixties heartthrob Bobby Curtola singing a song entitled Indian Giver.

When I confronted my brother on the racist nature of his remark he responded by saying, “Well, you know, they’re sneaky. Like in those old movies when they head the cowboys off at the pass. They sneak up on you and kill you, or steal things from you. Like your cows or your horses or your women.”

Now don’t get me wrong, I love my brother and these were not his exact words, but I think that dialogue looks very nice in a story when it is italicized and set apart from the more dense descriptive narrative sections. So I made it up, according to how I remember it, but what you see above is basically what he said. And despite claims made in a popular song lyric from a hit Streisand film, memories may very well light the corners of my mind, but they are dark corners, and it is difficult to see everything clearly. ‘The way we were’ and ‘the way we remember’ the past depends upon so many complex emotional strategies. There are times when I prefer to forget.

I didn’t think to point out to my brother at the time that stealing things from people, in the context of a global colonialist enterprise where whole nations have been bickering and stealing and murdering amongst themselves for centuries, and that North America has come out on top over the past few hundred years, so it really isn’t a good time historically to start talking about aboriginal peoples being sneaky and always taking things back. For the love of Christ, whenever I go skiing at Sun Peaks (or shopping in Manhattan for that matter) I am just heartsick about the ways in which we white people have treated native peoples in the past present and future. And I cannot for the life of me reconcile my immense desire to see a Broadway show, or to find comfort in skiing, with the fact that Sun Peaks – the second largest ski resort in Canada after Whistler - is on native soil and that snow skiing is environmentally damaging.[1]

But how, you might ask, did I get from saying a simple farewell to material possessions, to a tirade on colonialist enterprise and the genocidal/environmental implications of mountain resorts and downhill skiing? I have no easy answers, but I do know how to find temporary comfort in a permanently uncomfortable world.

*

When I said goodbye to Tinkerbell today before taking the shuttle to a small airport just outside of Kamloops British Columbia I made sure that she was folded over the towel rack so that her face and eyes were looking directly toward the lovely yellow and blue stained glass window beside the bathtub. When I shower I make sure to pull down the plastic blind in order to protect the stained glass from a constant barrage of water that occurs every time someone decides to bathe standing up. But it seems such a shame to deprive myself of such beauty while I am showering – the sunlight sifting through the panes of coloured glass and darting in and out of little folds in the glistening mildewed shower curtain (I must wash it soon).[2]






Pulling down the bathroom blind and denying ourselves a daily play of light and colour while showering – a kind of impressionist hygiene - can be counted as one of the more superficial pleasures we must give up for the sake of a greater good.

*

The sunlight in Kamloops is so bright and startling that it makes me wonder what impressionism would have looked like had it been invented by Midwestern cowboys. I have only been in Kamloops a month and have already fallen in love with the landscape and the desert valley light. I find myself writing emails to friends saying that living here is like being trapped in a perfect picture postcard awaiting airmail stamps that will set me free from this earthly paradise. But for the time being I am very happy here with the few possessions I have brought along on yet another move to another province and another adventure. I could stay here forever, admiring the gorgeous low lying brown mountains, sparsely covered with evergreens and loaded with sage and tumbleweeds. But forever doesn't seem like a very long time when you're middle aged.

Tumbleweeds are my favorite thing about Kamloops. They remind me of faintly despairing scenes in films set in the American Midwest where whole families are ripped apart by poverty and domestic strife and forced to flee from one another in used cars or greyhounds bound for some unappealing destination. These scenarios remind me of all the things I should have done in my life but never seemed to get around to.

I come from a working class background and I thank God for white trash every day when I am reminded of how unfeeling and filled with upper middle class rage some wealthy people can be. Wealth is of course a relative term – my immediate family was poor but our relatives were rich.

I love to dine with rich people but sometimes find their conversations alienating. I don’t mean to privilege my associations with the poor. I only want to give them their fair share.



If I ever have to say goodbye to Kamloops for a very long time – possibly forever - I think that I will visit the spots[3] I love best and perform small farewell ceremonies in the nude with tumbleweeds attached to my limbs in an artistic fashion. I will walk to the top of small mountains in high heeled shoes (they make my legs look just wonderful), followed by a diligent and admiring videographer – past the great Canadian superstore and the Husky gasoline depot - and all of the restaurants advertising multi-cultural lunch specials complete with a panoramic view of this spectacular part of the world.

And when I get to the top of the mountain I will remember that I am only one person saying goodbye – a single glamour mongering entity that has failed the people and the land in so many small ways in a single lifetime.

Tears will stain my cheeks and I will yodel badly and gesticulate wildly and make all sorts of impossible promises to the passing wind.


I will pay ambivalent homage to a dead uncle who performed inappropriate acts through the gaze of a distorted form of love at a time when I should have been allowed to find love elsewhere but needed desperately to find it somewhere - anywhere.


I will pledge allegiance to a form of materialism that never takes itself too seriously but always pays respect to a few ritualistic objects that comprise the ceremonial traditions of late capitalism.

And then I will think of Tinkerbell gazing mindlessly into the stained glass and I will call the airport shuttle and I will flyaway.


[1] Manhattan is a whole other story that needs more scope in order to include further details. Look them up yourself!

[2] So many people that I have met never think to wash their shower curtain. It is beyond me. Just throw them into the washer, preferably at the bottom because they tend to hold water, and they come out fresh and sparkling, no greasy mildew. Remember to never put them in a dryer. Just re-hang them wet.

[3] Riverside Park, the abandoned asylum by the lake, Value Village, The Desert City Casino, Players Sports Bar, the wide sunlit beaches along the Thompson Rivers, Walmart

Friday, October 5, 2012

i will not wake up
until the suns stops taking
advantage of my eyes

Sunday, September 30, 2012



fall 'n symbols
    
(a recalcitrant response to Longfellow’s Harvest Moon)














                                             

withered roses in the smitten cold
a way of nimbly nipping at the bud
thorns that bloom in vain within the folds
of gorgeous sentient clips that smite the edges
lining organs intended to be pumps
that simply fill our beating veins with blood
but all this pompous verbiage beheld
has rendered vital parts obscene
among the pages of our pithy sighs
depending on the us of this and that
we’d better fill our days with trimming hats
with full blown maids arranging plastic flowers
culled from curtained stalls of ancient showers
alas this synonymic woe and gracious me
redundant triplets cowering in the storm
giving life and love tendentious form
















if there are song birds 
listening to these words
gobble up and graze among the stanzas
your empty nest withholds a new apartment
for gold winged brides in groomed saffron organza




Thursday, September 27, 2012

humbled by the background


humbled by backgrounds
smiles framing demure pouts
revealing nothing...


a new poem


                          regrets from h to a


holding no regrets for lies he’s told
he does bemoan a certain lack of loyalty
his lies have shown him

given time and all the loss he’s ever known
great strides in conscience grace his girlish gait
gaily walking swiftly toward mayhem

fearing men who can’t outrun their trousers*
feeling he has left his pants exhausted at the door
fled becomes the only strategy he leaves behind 

every little heartbeat letter sound may bore him
evacuating cavities of if and next
each time he tries to flee his bowels deform him

despite goodwill he runs from every little score
decrying any love that tries to sing him
denigrating the use of inlet when his taste for foreign lingo favors fjord

could the narrow breadth of vast unopened heartache
castrate the way he waddles into wrath
cavorting with the this and that - what have you

beneath the folds of one crass outlandish gown
belying the unflappable tags of dignity
besieged by definitions that have him prancing out of town

absolution from untruths he knew would haunt him
await him at those blanched  and toothy gates
aware that all the things that fight to love him


are all the things he doesn’t really hate…



*  “a man can’t out run his trousers” - from Alistair MacLeod’s play No Great Mischief

Friday, September 21, 2012

two stories


two stories
Ice                                                  
after Anne Beatty's 'Snow'

I remember the cold night you crapped yourself walking home from your Nana’s house, how I always belittled you for calling her Nana instead of Granny, Grandma, or just plain Grandmother. “What’s that smell?” I said, as you rushed in the front door and went straight to the bathroom without taking your winter boots off. The odor went through the dining room, into the kitchen, across the living room, and stopped at the fireplace, as though it had made this trip before. This would be difficult for anyone to believe, except perhaps someone already familiar with the depth, substance, and navigational skills of your in-exquisite flatulence.

Our first month together was spent sharing recipes, cooking each other’s favorite meals; like Chili con carne or spaghetti and meatballs. Late at night, in the kitchen, you would stay up for hours, preparing for our next gourmet breakfast, while I slept soundly with an increasing waistline and a contented heartbeat.

When you made Eggs Benedict for me for the first time, I suggested a spinach salad on the side, with real bacon bits, like the brunches I remembered going to in the village before we moved in together. The day of our first big dinner party, when you had to prepare for seven guests and couldn’t find your recipe for stuffed mushroom caps and asked me if I had a good one – you, wide-eyed and frantic in your mother’s apron, like an insane chef in some televised cooking competition.
Our friends loved coming to our dinners, prepared especially for them in our little converted carriage house. So many friends visited, and the fireplace made them all want to stay very late and drink in excess and tell stories about their most recent romantic escapades: the accountant who met an ex-astronaut who he took to the Mars café for lunch; the beautician who kept ending relationships with really nice guys whenever she noticed a nose hair dangling from their nostrils; the transsexual flight attendant who was afraid the pilot she was flirting with would discover her ‘secret’ and have her fired; the bellhop who was screwing an enormously wealthy government official from an Arab Emirate and wondered if their relationship would ever amount to anything.

Did our friends think we were interested in their stories because we fed them and listened intently as they slurred their words and spilled red wine on the carpet, costing us our damage deposit when we moved out? Now I think they probably knew we would never last. We were as hopeless as we had been as children, two boys playing in the same schoolyard, peering at each other through glazed innocent expressions, wondering what we would be allowed to feel for one another next.
Remember that night at your Nana’s, the ice was so treacherous and you said we’d have such fun holding each other up the whole way there, but I refused to go. It was like we were totally devoid of metaphor and were literally sliding away from each other, but you insisted it would all be okay. Later that night I tried to drive over to her place to get you but the wheels of my car just spun in the glassy driveway. I fell twice on my way from the car to the back door.

You have such different memories. You recall how beautiful the bridge was as you crossed it alone, like a small girl wearing a red hood in a fairy tale on his way to grandmother’s house, looking for icicles as you peered between the openings in the cement railing, hoping to find a magical one to put in the ice box for her to save for her Christmas tree - and how our love was frozen in time like some eternal chunk of winter glass.

By our fireside our friends would tell such silly stories about love and romance. One night, giving me instructions on how to love, you told me, “A love will die if you don’t treat it like God treats snowflakes, like a fine chef treats every entree.”

I went back to the village not long ago, after moving to a basement apartment not far form the carriage house that we shared. It was the end of June, and so many of our old friends were there, all dolled up and enjoying the annual festivities. Geoffrey, the one who always brought a dreadful homemade dessert to all our dinners, had just passed away that week. Despite all the stories and the drunken mishaps, Geoffrey had always been there, smiling and ready to help out with those nasty red stains on the pale gold broadloom, hoping, I believe, to stay late enough so I would fall asleep and he could have his way with you, when all he had to do was ask. I sat with Geoffrey’s widower, looking across the street at the thousands of revelers, and there were three of our old friends, sitting under the beer tent, laughing and sipping wine from huge plastic glasses, slopping cheap red dollops on wooden picnic tables like they did by the fireplace in our rented home. It started to rain heavily, and he put up his umbrella and locked arms with me, pulling me closer and out of the sudden downpour. When I left him, once the rain had stopped, I walked through the square and glanced at all the names. Three or four stood out – collections of engraved letters identifying some of the people who had passed through our lives. I felt sad. Even if they had been with us that day, we had no place for them to come to dinner.

This is not the way love should unfold. As you told me, love, like food and snowflakes, should be carefully prepared. We only had the beginning, the rest melted away, like fine cheese in the bottom of a fondue pot or snowflakes on mittens. It’s pointless to speculate upon what might have happened. Who expects things to last anymore – did anyone ever? But people do remember our dinners. They amount to something in the minds and memories of a chosen few; the ones we selected from our respective address books, and cordially invited to our home to share one of the many kindnesses we bestowed upon each other.

What I remember most is the night you came home with your trousers filled and frozen. The ice. Still, just saying, “the ice,” I laugh and my lips kiss yours like magic cylinders stuck to something that attracts them and yet becomes so painful once separated.
No further mention will be made of your ‘accident’, the way you said “Oops” when you came down the stairs after showering, dangling a laundry bag filled with all your clothing, and how we laughed by the fire, spilled wine, ate homemade pretzels, and made love as you recounted a tale of frozen feces, and how, that night, when you were  on your own, they accompanied you all the way home from grandmother’s house.




I don’t know how to love him
Should I speak of love / let my feelings out / I never thought I’d come to this /what’s it all about?
Tim Rice

It’s an old story and not a very interesting one. A man of a certain age suddenly comes to the realization that he has had so much casual sex with acquaintances and strangers, and so little with people he has gotten to know, that he has developed no real talent for conversation with long-term lovers. So he starts to make a conscious attempt to talk to the people he is sleeping with. The list is considerable. He is still attractive and has no difficulty finding other ‘like-minded’ individuals. And except for one ill chosen remark about hair color during sexual intercourse, in the eyes of the seventeen odd people he is currently seeing, there is no noticeable change in his interpersonal skills. His sexual cohorts have never noticed him lacking in the art of social dialogue before. But therein lies the problem. To him it seems like dialogue – on the page. He is reciting it like a well-trained film actor. Not too loud, not too emotive, the camera will do some of the wok for you. When the time is right an outpouring of emotion will be extracted carefully and subtly. This isn’t the stage. You don’t have to project, or reach the heart and soul of the shop girl in the back row of the balcony with the windows to your soul. She – the filmgoer of your dreams - will desire you wholeheartedly if you simply follow the foolproof maxim - less is more.

But he doesn’t feel them deep inside – the things he says – and can’t figure out why. He’s had so many women before, and although in very many ways each new encounter is just one more, he has always prided himself on his special love for all of the women he has slept with. So now, at the moment in his life when he has decided to make a conscious attempt to develop new social skills around intimacy, why does it all seem so hollow and unfelt? Because he has already done it by rote so many times in a world that privileges the concept of one and only? And by considering the emotional trappings of the so-called ‘normal’ world of courtship and romance so late in life has he inadvertently rendered himself a mere shell of a man filled with nothing but the memories of extreme sexual fulfillment with a variety of beautiful and exciting women?

He doesn’t believe any of that crap. He looks around at his men friends and sees their long-term relationships and they are not all train wrecks. But they are also not entirely fulfilling. There is nothing wrong with them. They just don’t strike him as something he longs for. So he decides to carry on with the business of learning how to consciously speak tenderly and meaningfully to people he knows – the people he is already sleeping with and the people he may one day sleep with after learning, through heartfelt conversation, all kinds of wonderful things about them. This does not stop him from continuing to sleep with near strangers. With time they may become the people he knows. He is simply making a mid-life adjustment, akin to buying a new belt when you feel your old ones are all just a little too tight. They feel fine, but they could expand a bit. He is aware of the objectifying nature of his metaphors but does not feel that they present a problem in his daily life. He knows that a woman is not a belt.

So now, when he walks into rooms with a paramour that none of his men friends have ever seen before, and he notices their smirky smiles, with a trace of envy marking their tone of voice when he greets them, he always remembers to introduce his date by clearly stating her full name and her profession. It may seem a small step to many, but in his world it is a giant foot forward as he comfortably and confidently makes his way toward the end of a life that he has absolutely no intention of ever making any apologies for. 



Saturday, September 15, 2012

4 poems



as luck would have it…

having fallen again, call it denial, call it a river of love, rushing by…

love may conquer all
but pathologies always win
over-riding romance
with one bold stroke
of bloodthirsty genius

all those devastatingly handsome vampires
refusing to suck your blood
he-bitches craving God’s mistaken race
half in love with fairies

as luck would have it
he met him so close to a full moon
but not close enough
just a sliver, a French tip of desire

and if there is a man up there
he is dying slowly of a joking heart
having come to terms with the last lunar eclipse
that left him in the dark


*

two defensive strokes / one haiku

hand guns called his name
slipping into simile
like razors into veins

this was not a suicide note
just a jagged love poem
longing for another waltz

lyrical weapons
designed by moths to shade them
from the jaded light

*


Oranges & Roses (five pretentious stanzas)

one

the pretentious sentimentality of the clouds
hovering over us
rain, sleet, snow, obstructing horizons
causing thunderstorms to cower

two

the pretentious sympathy of the very poor
rationale behind the strategies some rich people
employ when they describe their personal ideology
on charitable behaviour

three

the pretentious packaging of oranges and roses
in the snow - like Queen Anne and her naked slave boys
dying dark against the frigid whiteness
as they dance for ghosts

four

the pretentious way of suggesting
Queens had any real power
over the colonization of birthing bodies
and inviting Pocahontas for tea

five

the pretentious desire to take a road trip to Virginia
just to see whether they sell snow globes  
of a famed ‘Indian Princess' and her mis-taken Cowboys
the beloved, savage, civilization of global tourism

oranges & roses eaten among            
                                                            clouds
                                                                        wealth
                                                                                    snow
                                                                                                tea
                                                                                                            travel…



*

gun control   (three cozy palindromes)

snuguns
snugguns
snug guns




*